Kevin Murton

A warm, humorous, friendly, down to earth, genuine and empathetic voice. Having a story and a message to offer and delivering it with meaning is my passion. I’m with you every step of the way!

Kevin is a Dorset-born voice artist and actor whose creativity was sparked from an early age, growing up between the imagination fuelling and inspiring backdrop of the Jurassic Coast on the South Coast of England and the National Park of the New Forest.

He trained for three years at London’s Academy of Live and Recorded Arts, going on to perform in Equity‑accredited productions before developing a strong comedic signature, with experience in a wide breadth of roles.

Kevin knows the importance of storytelling from personal experience and is passionate about offering others cathartic opportunities through storytelling, especially with a humorous or funny element.

Based in Oxford, Kevin works across commercial voiceover, story & character work, and collaborative media projects, maintaining strong links with London’s creative community. His highlights include multimedia performances with Art Sung, featuring him as Brahms, in a live production exploring Clara Schumann’s life and relationships. Most recently, he voiced the part of French Composer Andre Caplet, in Jane Bathori: ‘A Dove at the Vieux Colombier’.

Over a number of years Kevin’s career has also included meaningful collaborations with charities and non‑profit organisations, including Media Motion In Vision, Vandanamu, The Rotary Club, The Multiple Sclerosis Society and the Peace Villages Association.

His contributions range from promotional voiceovers to producing awareness films and training role‑plays.

Alongside his creative work, Kevin is a professionally trained and accredited Alexander Technique teacher with six years’ experience.

This learnt and embodied understanding of human behaviour and physical expression informs his performances and supports his ability to produce high‑quality, nuanced voice work.

He continues to develop new creative projects, including a comedy script inspired by the dynamics of an Alexander Technique educational group — blending his observational humour with his instinct for storytelling.